I modified my Procreate brushes collections into Fave Inkers, Fave Sketch, Fave Paint, etc. I also realized I could set contained size ranges for various brushes. So I have for lettering now, Script 1 to 5, Script 4 to 15, and the original fat Script in my Fave Lettering set.
You know when you switch brushes by clicking on the set, the already selected brush becomes the brush. D’oh. So instead of having one collection of Faves where you would have to scroll through and find the next one, each Faves set now has maybe six brushes I want to use, and the last selected one is always active.
I was using Comic Draw app for lettering. I still prefer handwritten as it keeps the style consistent, and likely I will do so going forward for smaller panel cartoons like this one. My handwriting has always been terrible and my hands cramp when I letter.
And I discovered Affinity Photo has Callout Ellipse and Callout Rectangles shapes … which are … word balloons!
Cartoons on LondOntLife are are shared based on a premise that people will maybe use and remix them. Here I rework the drawing, running the drawing through Inkwork. I do that sometimes just to see what variety it produces. Then popped back into Procreate for some painting.
Here, our Provincial Primier poses, displaying his competitive autocrat true self, now that he has a place on the world stage. Hopefully a short 15 minutes of fame.
I am intensely enjoying Waldemar Januszczak‘s art history episodes on YouTube. I started with https://youtu.be/M4o1dc41r28 , his Dark Ages: An Age of Light, and YouTube rounded up https://youtu.be/M4o1dc41r28 Baroque: From St Peter’s to St Paul’s. There seem to be quite few. more.
Having completed a binge watch of Tony Robinsons’s Time Team, Wladimir is a delightful find.
The Wikipedia piece sums it up pretty well:
Januszczak has been described as “a passionate art lover, art critic and writer. His presentation style is casual but informed, enthusiastic, evocative and humorous. He bumbles about on our TV screens, doing for art what David Attenborough has done for the natural world,” and someone who acts out of “a refusal to present art as elitist in any way. He makes it utterly accessible and understandable.”
Wow. Picked a neglected brush in a Procreate and drew these (bragging) with no underdrawing, but direct. All lively accidents intact.
In my very first column, I wrote about living in Byron in good ole London Ontario, a very busy life and how I was oblivious to and ready didn’t care as to what was happening in the rest of the city. I am not picking on anyone from Byron or any other suburb. I am speaking from my own experience.
I knew we had homelessness, drugs on the street, a dying downtown and I really didn’t pay much attention to it. I was in my comfy ranch home in Byron with my big backyard and two cars in the driveway. I didn’t give much thought to issues those with disabilities faced or crime, unless it was in my neighbourhood. Oh, we had crime in West London, but, unless it affected me, I didn’t give it much thought. This wasn’t a conscious decision to ignore it. Life was moving pretty damn…
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A four panel comic for Sammy.
I got a copy of Polarr Deep Crop (iPad) and one of the things it does is this four frame collage with a chosen image cropped in various ways. The AI chosen crops for this structure seem random, but they seem to have a story telling feel.
And I found Comic Draw app (iPad) which basically has everything one needs. Used here for boxes and lettering.
Could be in a dream
Our clothes are on the beach
These prints of our feet
Lead right up to the sea
No one, no one is here
No one, no one is here
We stand in the Atlantic
We become panoramic
Who knows who wrote that song of Summer
That blackbirds sing at dusk?
This is a song of colour
Where sands sing in crimson, red and rust
Then climb into bed and turn to dust
One of the delights, and one of the devils are the same thing: the rapidity of electronic media. It allows immediate responses and demands immediate postings. And even the start of this image is buried beneath how easy it was to dive in, refine, refinish and cover up everything from the beginning scribbles.
The first finish is on the left. I knew what I was drawing so didn’t really see how it wasn’t clear until posted and blogged, and then in the wait, it was obvious what wasn’t obvious, and what was obscuring what needed to be seen. It is also shamefully easy to fix.
On a roll. Five cartoons this week already and it’s only Tuesday.
The answer might be there.